Sonic Borders Virtual Panel: Regina Bradley, “I Like the Way You Rhyme, Boy: Hip Hop Sensibility and Racial Trauma in Django Unchained”

by justindburton on January 28, 2013

SO IASPM7

IASPM-US and Sounding Out! are proud to bring you a collaboration that represents the first official panel of the the 2013 IASPM-US conference. While the rest of the conference will be held in Austin, TX (2/28-3/3), this first panel will feature six essays from Sounding Out! and four from IASPM-US during the months of January and February – a discourse in cyberspace that addresses and enacts the theme of the conference, “Liminality & Borderlands.” “Sonic Borders” features scholars from sound studies and popular music studies (many of whom work in both disciplines) discussing the two disciplines’ shared principles, disparate ideologies, and un/common purposes. The results should be exciting, as we invite not only the panelists to contribute their essays but also conference participants and readers of both sites to join in the conversation as we prod the connective tissue of popular music studies and sound studies.

Many thanks to the three co-founders of Sounding Out!Liana Silva, Managing Editor, Jennifer Stoever-Ackerman, Editor-in-Chief, and Aaron Trammell, Multimedia Editor, as well as Kwame Harrison, chair of the IASPM-US conference program committee, and all of our panelists. A full schedule will be included at the bottom of each essay we publish to this site.

Today’s post at Sounding Out! comes from Regina Bradley, who examines the soundscape of Quentin Tarantino’s Django Unchained through the lens of a hip hop sensibility.

If it is true that Jamie Foxx asserted that “hip hop goes hand in hand with Quentin Tarantino” then Django reflects a type of hip hop sensibility that is situated between hip hop’s commodification as the most visible form of contemporary black culture and as the most accessible form of blackness and black expression. If I had to pinpoint it, I’d suggest Tarantino’s inclusion of two rappers, Tupac Shakur and Rick Ross, within Django is no doubt a nod toward a gangsta rap sensibility that Tarantino appropriates for his slave narrative/western.

Sonic Borders Schedule

1/21 – Liana Silva, Sounding Out! – “I’m on My New York Sh*t”: Jean Grae’s Sonic Claims on the City

1/28 – Regina Bradley, Sounding Out! – I Like the Way You Rhyme, Boy: Hip Hop Sensibility and Racial Trauma in Django Unchained

2/4 – Marcus Boon, Sounding Out! – One Nation Under a Groove?: Music, Sonic Borders, and the Politics of Vibration

2/6 – Barry Shank, IASPM-US

2/11 – Tavia Nyong’o, Sounding Out!

2/13 – Theo Cateforis, IASPM-US

2/18 – Tara Betts, Sounding Out!

2/20 – Shana L. Redmond, IASPM-US

2/25 – Airek Beauchamp, Sounding Out!

2/27 – Devon Powers, IASPM-US

Comments on this entry are closed.

Previous post:

Next post: