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	<title>International Association For The Study of Popular Music — US Branch</title>
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	<link>http://iaspm-us.net</link>
	<description>The Official Web Site of IASPM-US</description>
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		<title>Stop Making Sense: Nonsensical Connections: Kurt Rosenwinkel&#8217;s &#8220;The Polish Song,&#8221; by Josh Ottum</title>
		<link>http://iaspm-us.net/stop-making-sense-nonsensical-connections-kurt-rosenwinkels-the-polish-song-by-josh-ottum/</link>
		<comments>http://iaspm-us.net/stop-making-sense-nonsensical-connections-kurt-rosenwinkels-the-polish-song-by-josh-ottum/#comments</comments>
		<pubDate>Wed, 22 May 2013 13:00:57 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Stop Making Sense]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4187</guid>
		<description><![CDATA[Guest Editor Elizabeth Lindau brings to the IASPM-US site a series of essays on the topic “Stop Making Sense: The Unintelligible in Popular Song.” During the month of May, we’ll explore what it is to sit just on the edge of reason in popular music. A breathy, falsetto voice bends upward supported by a plucked [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Stop Making Sense: Rap Lyrics and the Economy of Intelligibility, by Loren Ludwig</title>
		<link>http://iaspm-us.net/stop-making-sense-rap-lyrics-and-the-economy-of-intelligibility-by-loren-ludwig/</link>
		<comments>http://iaspm-us.net/stop-making-sense-rap-lyrics-and-the-economy-of-intelligibility-by-loren-ludwig/#comments</comments>
		<pubDate>Mon, 20 May 2013 13:00:52 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Stop Making Sense]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4179</guid>
		<description><![CDATA[Guest Editor Elizabeth Lindau brings to the IASPM-US site a series of essays on the topic “Stop Making Sense: The Unintelligible in Popular Song.” During the month of May, we’ll explore what it is to sit just on the edge of reason in popular music. …nowadays these kids, jeez, don’t give a shit about lyrics. [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/stop-making-sense-rap-lyrics-and-the-economy-of-intelligibility-by-loren-ludwig/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stop Making Sense: Are You Bold Enough to Reach for Love? Janelle Monáe and the Gaps of Nah-Nah-Nah, by Justin D Burton</title>
		<link>http://iaspm-us.net/stop-making-sense-are-you-bold-enough-to-reach-for-love-janelle-monae-and-the-gaps-of-nah-nah-nah-by-justin-d-burton/</link>
		<comments>http://iaspm-us.net/stop-making-sense-are-you-bold-enough-to-reach-for-love-janelle-monae-and-the-gaps-of-nah-nah-nah-by-justin-d-burton/#comments</comments>
		<pubDate>Wed, 15 May 2013 13:00:06 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Stop Making Sense]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4158</guid>
		<description><![CDATA[Guest Editor Elizabeth Lindau brings to the IASPM-US site a series of essays on the topic “Stop Making Sense: The Unintelligible in Popular Song.” During the month of May, we’ll explore what it is to sit just on the edge of reason in popular music. “Tell me: are you bold enough to reach for love?” [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Stop Making Sense: Words Over Here, Words Out There, by Thomas Swiss</title>
		<link>http://iaspm-us.net/stop-making-sense-words-over-here-words-out-there-by-thomas-swiss/</link>
		<comments>http://iaspm-us.net/stop-making-sense-words-over-here-words-out-there-by-thomas-swiss/#comments</comments>
		<pubDate>Mon, 13 May 2013 13:00:12 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Stop Making Sense]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4139</guid>
		<description><![CDATA[Guest Editor Elizabeth Lindau brings to the IASPM-US site a series of essays on the topic “Stop Making Sense: The Unintelligible in Popular Song.” During the month of May, we’ll explore what it is to sit just on the edge of reason in popular music. Today&#8217;s post comes from Thom Swiss, who responded to the [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/stop-making-sense-words-over-here-words-out-there-by-thomas-swiss/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stop Making Sense: &#8220;Don&#8217;t Duplicate My Rhythm:&#8221; DNA and Valery&#8217;s Transverse Relations, by John Melillo</title>
		<link>http://iaspm-us.net/stop-making-sense-dont-duplicate-my-rhythm-dna-and-valerys-transverse-relations-by-john-melillo/</link>
		<comments>http://iaspm-us.net/stop-making-sense-dont-duplicate-my-rhythm-dna-and-valerys-transverse-relations-by-john-melillo/#comments</comments>
		<pubDate>Tue, 07 May 2013 13:00:11 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Stop Making Sense]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4121</guid>
		<description><![CDATA[Guest Editor Elizabeth Lindau brings to the IASPM-US site a series of essays on the topic &#8220;Stop Making Sense: The Unintelligible in Popular Song.&#8221; During the month of May, we&#8217;ll explore what it is to sit just on the edge of reason in popular music. As I went along the street where I live, I [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/stop-making-sense-dont-duplicate-my-rhythm-dna-and-valerys-transverse-relations-by-john-melillo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Website: Call for Asst Editor, 2013-15</title>
		<link>http://iaspm-us.net/iaspm-us-website-call-for-asst-editor-2013-15/</link>
		<comments>http://iaspm-us.net/iaspm-us-website-call-for-asst-editor-2013-15/#comments</comments>
		<pubDate>Fri, 03 May 2013 14:46:56 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4117</guid>
		<description><![CDATA[The United States branch of the International Association for the Study of Popular Music invites applications for the position of Assistant Editor of the organization’s website, iaspm-us.net. The successful applicant will be expected to fulfill a two-year appointment starting June 2013. The Assistant Editor will work in cooperation with and under the direction of the [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-website-call-for-asst-editor-2013-15/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>DJing in Japan, by Mark Katz</title>
		<link>http://iaspm-us.net/djing-in-japan-by-mark-katz/</link>
		<comments>http://iaspm-us.net/djing-in-japan-by-mark-katz/#comments</comments>
		<pubDate>Wed, 01 May 2013 13:00:42 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Original Content]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4065</guid>
		<description><![CDATA[In our interview with Mark Katz about his book Groove Music (Oxford 2012), he mentioned a long section on DJing in Japan that didn&#8217;t make it into his book. Below is an excerpt from that section. Many thanks to Mark for sharing! Crate diggers who don’t believe in Heaven have never been to Shibuya. One of [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/djing-in-japan-by-mark-katz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Interview Series: Mark Katz, Groove Music</title>
		<link>http://iaspm-us.net/iaspm-us-interview-series-mark-katz-groove-music/</link>
		<comments>http://iaspm-us.net/iaspm-us-interview-series-mark-katz-groove-music/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 13:00:29 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=4057</guid>
		<description><![CDATA[In Groove Music: The Art and Culture of the Hip Hop DJ (New York: Oxford University Press, 2012), Mark Katz explores the scratche(r)s, mixe(r)s, and battle(r)s of hip hop DJ history. The book is full of interviews with musicians explaining their craft and reflecting on the role of the DJ in hip hop, and Katz wrote [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-interview-series-mark-katz-groove-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Website CFP: Music Scenes: Reflections on Performance</title>
		<link>http://iaspm-us.net/iaspm-us-website-cfp-music-scenes-reflections-on-performance/</link>
		<comments>http://iaspm-us.net/iaspm-us-website-cfp-music-scenes-reflections-on-performance/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 14:45:52 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CFP]]></category>
		<category><![CDATA[Current CFP]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Website]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4109</guid>
		<description><![CDATA[Music Scenes: Reflections on Performance From the birth of recorded popular music to the emergence of auto-tune and other digital audio tools, anxieties over the “death” of live performance have run rampant. Most recently, Beyonce’s admission to singing along to a pre-recorded track at President Obama’s inauguration led one writer at The Telegraph to state, “Miming will be [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-website-cfp-music-scenes-reflections-on-performance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Interview Series: Christina Baade, Victory Through Harmony</title>
		<link>http://iaspm-us.net/iaspm-us-interview-series-christina-baade-victory-through-harmony/</link>
		<comments>http://iaspm-us.net/iaspm-us-interview-series-christina-baade-victory-through-harmony/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 13:00:36 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=4078</guid>
		<description><![CDATA[In Victory through Harmony: The BBC and Popular Music in World War II (Oxford 2011), Christina Baade delivers a fascinating account of the BBC’s activities during the Second World War. Victory through Harmony won a Choice Outstanding Academic Title in 2012, and will be out in paperback later this year. It is a worthwhile read, and [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-interview-series-christina-baade-victory-through-harmony/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New IASPM-US Editor-in-Chief: Mike D&#8217;Errico</title>
		<link>http://iaspm-us.net/new-iaspm-us-editor-in-chief-mike-derrico/</link>
		<comments>http://iaspm-us.net/new-iaspm-us-editor-in-chief-mike-derrico/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 13:00:33 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Original Content]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4093</guid>
		<description><![CDATA[IASPM-US is excited to announce that, effective 1 June 2013, Mike D&#8217;Errico will become the editor-in-chief of the organization&#8217;s website. Until June 1, Mike will work in tandem with the current editor, Justin Burton, in the everyday running of the site as well as in selecting an Assistant Manager to start in June 2013 (call [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/new-iaspm-us-editor-in-chief-mike-derrico/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Interview Series: Daniel Cavicchi, Listening and Longing</title>
		<link>http://iaspm-us.net/iaspm-us-interview-series-daniel-cavicchi-listening-and-longing/</link>
		<comments>http://iaspm-us.net/iaspm-us-interview-series-daniel-cavicchi-listening-and-longing/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 14:24:25 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Author]]></category>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=4042</guid>
		<description><![CDATA[Listening and Longing: Music Lovers in the Age of Barnum (Wesleyan 2011), takes an intriguing tact to explore the realities of a 19th century invention: the live music fan. Through the words of middle-class, urban men and women, Daniel Cavicchi creates a sort of archival-ethnography, and paints a picture of people who, for the first time, [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-interview-series-daniel-cavicchi-listening-and-longing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Interview Series: Timothy Taylor, The Sounds of Capitalism</title>
		<link>http://iaspm-us.net/iaspm-us-interview-series-timothy-taylor-the-sounds-of-capitalism/</link>
		<comments>http://iaspm-us.net/iaspm-us-interview-series-timothy-taylor-the-sounds-of-capitalism/#comments</comments>
		<pubDate>Mon, 15 Apr 2013 13:00:08 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=4044</guid>
		<description><![CDATA[In his book The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture, Timothy D. Taylor uncovers the veiled history of music used in advertising in the United States. Beginning with music&#8217;s role in early radio broadcasts, Taylor synthesizes musical characteristics of particular eras with ever-evolving approaches to making and using music for the [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-interview-series-timothy-taylor-the-sounds-of-capitalism/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>IASPM-US Interview Series: Murray Forman, One Night on TV is Worth Weeks at the Paramount</title>
		<link>http://iaspm-us.net/iaspm-us-interview-series-murray-forman-one-night-on-tv-is-worth-weeks-at-the-paramount/</link>
		<comments>http://iaspm-us.net/iaspm-us-interview-series-murray-forman-one-night-on-tv-is-worth-weeks-at-the-paramount/#comments</comments>
		<pubDate>Mon, 08 Apr 2013 13:00:01 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=4037</guid>
		<description><![CDATA[Copious research of television station corporate documents, close readings of television programming, and nuanced theorization about the development of music performance during the era of television’s ascendance into mass popularity has resulted in Murray Forman’s One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television (Duke University Press, 2012).  As [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-interview-series-murray-forman-one-night-on-tv-is-worth-weeks-at-the-paramount/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2012 Woody Guthrie Award Winner(s)</title>
		<link>http://iaspm-us.net/2012-woody-guthrie-award-winners/</link>
		<comments>http://iaspm-us.net/2012-woody-guthrie-award-winners/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 13:00:26 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[IASPM-US Conference]]></category>
		<category><![CDATA[Woody Guthrie Award]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4028</guid>
		<description><![CDATA[Nona Willis Aronowitz, ed, Ellen Willis, Out of the Vinyl Deeps: Ellen Willis on Rock Music (Minneapolis, University of Minnesota Press) This curated project demonstrates Ellen Willis’ importance as a female critic writing in the male-dominated era of 1970s rock. Willis&#8217; writing is truly interdisciplinary, breaking down boundaries between journalism and scholarship as well as between fandom [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/2012-woody-guthrie-award-winners/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>IASPM-US Website CFP: &#8220;Stop Making Sense&#8221;: The Unintelligible in Popular Song, Guest Editor Elizabeth Ann Lindau</title>
		<link>http://iaspm-us.net/iaspm-us-website-cfp-stop-making-sense-the-unintelligible-in-popular-song-guest-editor-elizabeth-ann-lindau/</link>
		<comments>http://iaspm-us.net/iaspm-us-website-cfp-stop-making-sense-the-unintelligible-in-popular-song-guest-editor-elizabeth-ann-lindau/#comments</comments>
		<pubDate>Fri, 29 Mar 2013 05:00:31 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CFP]]></category>
		<category><![CDATA[Current CFP]]></category>
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		<category><![CDATA[Stop Making Sense]]></category>
		<category><![CDATA[Website]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4020</guid>
		<description><![CDATA[Simon Frith has written that pop lyrics “celebrate not the articulate but the inarticulate, and the evaluation of pop singers depends not on words but on sounds—the noises around the words.” While lyrics often captivate us, great pop songs do not require eloquent poetry. Singers and lyricists can often communicate emotion and meaning more directly [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-website-cfp-stop-making-sense-the-unintelligible-in-popular-song-guest-editor-elizabeth-ann-lindau/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Call for Editors: Journal of Popular Music Studies</title>
		<link>http://iaspm-us.net/call-for-editors-journal-of-popular-music-studies/</link>
		<comments>http://iaspm-us.net/call-for-editors-journal-of-popular-music-studies/#comments</comments>
		<pubDate>Thu, 28 Mar 2013 13:00:15 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Journal of Popular Music Studies]]></category>
		<category><![CDATA[Original Content]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=4016</guid>
		<description><![CDATA[The Journal of Popular Music Studies (JPMS) is accepting applications for two co-editors to begin three-year terms on July 1, 2013. The Journal of Popular Music Studies, published on behalf of the United States branch of the International Association for the Study of Popular Music (IASPM-US), is a peer-reviewed journal dedicated to research on popular music throughout the world, approached [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/call-for-editors-journal-of-popular-music-studies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>IASPM-US 2013 David Sanjek Memorial Graduate Student Paper Prize Winner: Elliott H. Powell</title>
		<link>http://iaspm-us.net/iaspm-us-2013-david-sanjek-memorial-graduate-student-paper-prize-winner-elliott-h-powell/</link>
		<comments>http://iaspm-us.net/iaspm-us-2013-david-sanjek-memorial-graduate-student-paper-prize-winner-elliott-h-powell/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 13:00:16 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[David Sanjek Memorial Graduate Student Paper Prize]]></category>
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		<guid isPermaLink="false">http://iaspm-us.net/?p=3994</guid>
		<description><![CDATA[The winner of the 2013 David Sanjek Memorial Graduate Student Paper Prize is Elliott H. Powell (American Studies, NYU) for his paper “Hip Hop’s South Asian Disembodied Voice: Sampling, Temporality, and the Career of Raje Shwari.” Powell’s study of Raje Shwari, the human who was a sample, folds temporal analysis into commodity theory in a [...]]]></description>
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		<title>IASPM-US 2013 Conference Reflections: Joelle Zigman&#8217;s Nuts and Bolts Podcast</title>
		<link>http://iaspm-us.net/iaspm-us-2013-conference-reflections-joelle-zigmans-nuts-and-bolts-podcast/</link>
		<comments>http://iaspm-us.net/iaspm-us-2013-conference-reflections-joelle-zigmans-nuts-and-bolts-podcast/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 13:00:53 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
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		<category><![CDATA[IASPM-US Conference]]></category>
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		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3988</guid>
		<description><![CDATA[Joelle Zigman is a composer, educator, and music journalist from Jersey City, NJ, currently pursuing a Master’s degree in music composition at the University of Texas at Austin, studying with Yevgeniy Sharlat and Russell Pinkston. She recently graduated from The Shepherd School of Music at Rice University (Houston, TX), with dual degrees in music composition [...]]]></description>
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		<title>IASPM-US 2013 Conference Reflections: Mandy Smith</title>
		<link>http://iaspm-us.net/iaspm-us-2013-conference-reflections-mandy-smith/</link>
		<comments>http://iaspm-us.net/iaspm-us-2013-conference-reflections-mandy-smith/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 13:00:09 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[IASPM-US Conference]]></category>
		<category><![CDATA[Original Content]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3761</guid>
		<description><![CDATA[This year’s annual IASPM-US meeting was my first.  I am accustomed to AMS, SMT, and SEM meetings, where I share methodological knowledge with many, but area interests with only a few.  I thought the tables might be turned at this meeting, but I was pleasantly surprised to find many people conceptualizing pop music in similar [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/iaspm-us-2013-conference-reflections-mandy-smith/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Journal for the Society of American Music CFP</title>
		<link>http://iaspm-us.net/journal-for-the-society-of-american-music-cfp/</link>
		<comments>http://iaspm-us.net/journal-for-the-society-of-american-music-cfp/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 18:00:26 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CFP]]></category>
		<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3758</guid>
		<description><![CDATA[This comes from Mark Katz: I am pleased to announce a special issue of the Journal of the Society for American Music on music before 1900, guest-edited by Katherine K. Preston. We will consider any article that has as its focus American music or music in the Americas before 1900. The deadline for submissions is August 15, [...]]]></description>
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		<title>AMS Popular Music Study Group CFP</title>
		<link>http://iaspm-us.net/ams-popular-music-study-group-cfp/</link>
		<comments>http://iaspm-us.net/ams-popular-music-study-group-cfp/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 15:00:05 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CFP]]></category>
		<category><![CDATA[Conference]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3756</guid>
		<description><![CDATA[“Popular Music of the Rust Belt” Call For Papers: AMS Popular Music Study Group Pittsburgh, PA November 7-10, 2013 The AMS Popular Music Study Group selection committee announces its third annual paper panel, to be held at the 2013 national meeting the of American Musicological Society. We welcome all AMS members to submit paper proposals [...]]]></description>
		<wfw:commentRss>http://iaspm-us.net/ams-popular-music-study-group-cfp/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Velvet Light Trap CFP</title>
		<link>http://iaspm-us.net/the-velvet-light-trap-cfp/</link>
		<comments>http://iaspm-us.net/the-velvet-light-trap-cfp/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 13:00:24 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[CFP]]></category>
		<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3754</guid>
		<description><![CDATA[The Velvet Light Trap Call for Papers Issue #74: On Sound (New Directions in Sound Studies) Submission deadline: August 1, 2013 The medium of sound, long placed in a secondary position to the visual within media studies, has experienced a considerable increase in scholarly attention over the past three decades, to the point that “sound [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>IASPM-US 2013 Conference Reflections: Amanda Sewell on Hip Hop</title>
		<link>http://iaspm-us.net/iaspm-us-2013-conference-reflections-amanda-sewell-on-hip-hop/</link>
		<comments>http://iaspm-us.net/iaspm-us-2013-conference-reflections-amanda-sewell-on-hip-hop/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 13:00:28 +0000</pubDate>
		<dc:creator>justindburton</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Conferences]]></category>
		<category><![CDATA[IASPM-US Conference]]></category>
		<category><![CDATA[Original Content]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://iaspm-us.net/?p=3748</guid>
		<description><![CDATA[&#160; In conversations with other popular music scholars, we often lament that (1) we’re poorly represented in national conferences, and (2) we’re always lumped in with other, usually completely unrelated, popular music topics into a generic “Perspectives on Popular Music” panel. Not so at IASPM-US. Plus, at most conferences, it’s a thrill to see a [...]]]></description>
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