Bibliography 1

POPULAR MUSIC, MORAL PANICS, AND RESISTANCE

Adorno, Theodor, edited by J.M. Bernstein. 2001. The culture industry: Selected essays on mass culture. London: Routledge.

Brown, Steven and Ulrik Volgsten, editors. 2006. Music and manipulation: On the social uses and social control of music. New York: Berghahn Books.

Cohen, Stanley. 1972. Folk devils and moral panics: The creation of the mods and rockers. London: MacGibbon and Kee.

Cooper, Carolyn. 2004. Sound clash: Jamaican dancehall culture at large. New York: Palgrave MacMillan.

Fischlin, Daniel and Ajay Heble, editors. 2003. Rebel musics: Human rights, resistance sounds, and the politics of music making. Montreal: Black Rose Books.

Goode, Erich and Nachman Ben-Yehuda. 1994. Moral panics: The social construction of deviance. Oxford: Blackwell.

Hebdige, Dick. 1979. Subculture: The meaning of style. London: Methuen.

Le Bon, Gustave. 1960. The crowd: A study of the popular-mind. New York: Viking Press.

Leonard, Neil. 1962. Jazz and the white Americans: The acceptance of a new art form. Chicago: University of Chicago Press.

Malcolnson, Robert W. 1973. Popular recreations in English society, 1700-1850. Cambridge: Cambridge University Press.

McClary, Susan. 1994. “Same as it ever was: Youth culture and music.” In Ross and Rose (eds.) Microphone fiends: Youth music and youth culture. New York: Routledge, 29-40.

McRobbie, Angela and Sarah L. Thornton. 1995. “Rethinking ‘moral panic’ and multi-mediated social worlds.” The British Journal of Sociology 46:4 (December), 559-574.

Mitchell, Tony. 1998. “Moral panics, national pride and split images: Music and the press in Aotearos/New Zealand.” Perfect Beat 3:4 (January), 51-67.

Ogren, Kathy J. 1989. The jazz revolution: Twenties America and the meaning of jazz. New York: Oxford University Press.

Pearsall, Ronald. 1973. Victorian Popular music. Newton Abbot: David and Charles.

Peddle, Ian, editor. 2006. The resisting muse: Popular music and social protest. Aldershot: Ashgate.

Pedelty, Mark. 2004. Musical ritual in Mexico City: From the Aztec to NAFTA. Austin: University of Texas Press.

Pratt, Ray. 1990. Rhythm and resistance: Explorations in the political uses of popular music. New York: Praeger Publishers.

Rodger, Gillian. 2010. Champagne Charlie and pretty Jemima: Variety theater in the nineteenth century. Urbana: University of Illinois Press.

Rose, Tricia. 2008. The hip hop wars. New York: Basic Civitas Books.

Savran, David. 2003. “Middlebrow anxiety.” In A queer sort of materialism: Recontextualizing American theater. Ann Arbor: University of Michigan Press, 3-55.

Shuker, Roy. 2005.  “Moral panic.” Popular music culture: The key concepts (Second edition, volume 1, part 2). London: Routledge, 166-167.

Small, Christopher. 1987. Music of the common tongue: Survival and celebration in Afro-American music. New York: Riverrun Press.

Tarde, Gabriel de, translated by Elsie Clews Parsons. 1962 (1903). The laws of imitation. Gloucester: P. Smith. [free download: http://a2.lib.uchicago.edu/pip.php?/pres/2006/pres2006-0857.pdf]

Thornton, Sarah. 1996. “Mass media: ‘Selling out’ and ‘moral panic’.” In Club cultures: Music, media and subcultural capital. Hanover: Wesleyan University Press, 122-136. [see also Thornton’s chapter in Microphone Fiends on the same subject]

Wallach, Jeremy. 2008. Modern noise, fluid genres: Popular music in Indonesia, 1997-2001. Madison: University of Wisconsin Press.

Wright, Robert. 2000. “’I’ll sell you suicide’: Pop music and moral panic in the age of Marilyn Manson.” Popular Music 19:3 (October), 365-385.

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Contributions by Eric Bindler, Patricia Burke, Luis-Manuel Garcia, Jason Oakes, Mark Pedelty, Gillian M. Rodger, Norman Stanfield, and Jeremy Wallach.